

Belle & Sebastian - O Little Town of Bethlehem
backup link
Low - Blue Christmas (such a gorgeous rendition!!)
backup link
The Long Winters - Christmas With You is the Best

"Rock n' Roll 'round the Christmas tree
Everything is you and me
Rockin' the night away
Rockin' the night away
Gonna rock the Christmas tree
Everything is you and me
Rockin' the night away
Rockin' the night away
da da da da da da da da da daaaaah
Rock n' Roll 'round the Christmas tree
Everything is you and me
Rockin' the night away
Rockin' the night away
Gonna rock the Christmas tree
Everything is you and me
Rockin' the night away
Rockin' the night away
da da da da da da da da da daaaaah"
I love the Lips so much. I've already covered their (unfortunately rather lackluster) version of "White Christmas," but today here's two originals that fare off much better. "Christmas at the Zoo" is one of the highlights of off their underrated 1996 record Clouds Taste Metallic. It's about going to the zoo and freeing the animals on Christmas eve, but the animals don't wish to leave, yet are flattered that you thought about them enough to do so. Very nice.



Lo-fi, lo-musicianship, lo-suckage. Hi-awesome.
Today's entry is going to be a brilliant one. First we have Feist's rendition of the 16th century traditional piece "Lo, How a Rose E're Blooming." The song is from German origin, its original title being "Est ist en Ros entsprungen." No one knows who the original author of the lyrics was, but German composer Michael Praetorius is responsible for the tune as we know it today. It's incredibly beautiful. This is along the lines of the the type of Christmas songs I like best- the classy, traditional ones... those associated with Christmas rather than penned for the occasion.


Ah, "White Christmas." Such a nice song. We heard versions by the Pipettes and the Flaming Lips yesterday... why not two more today!? The first comes from the Bright Eyes' 2002 release, A Christmas Album, but rather than Conor Oberst singing, Maria Taylor (of Azure Ray performs the song.) The second comes from Aimee Mann's Christmas album One More Drifter in the Snow, released last year. Both are similar in execution, stripping the song down to its core, with only sparse acoustic guitar accompanying the vocals. However, each has a different feel, the Aimee Mann version more plaintive and longing, while the the Maria Taylor version sounds more innocent and wishful. She is 16 years younger than Aimee, so its not surprising that these two versions sound like they're coming from different places in life. Yet both are undoubtedly beautiful.
Today I bring two different versions of "White Christmas," one by the Pipettes and the Flaming Lips. The Pipettes version is fantastic, emphasized with gorgeous vocal harmonies and a wonderful upbeat arrangement. It's short and sweet. The Flaming Lips version on the other hand, while interesting and untraditional, it sounds like its being sung by a bad Kermit imitator. I love Wayne, I really do, but this just isn't his finest hour. I've found a video of the song being performed live during 1999, and it sounds a little better there, performed on an actual megaphone. Maybe if you can shake the Kermit thing...but I just can't. Maybe I'll think of it as a forgotten song from the Muppet Christmas Carol. It's been far too long since I've seen that.
These come from a 2002 Christmas Party Peel session. The band sounds like they're having a lot of fun while playing, especially on "The Twelve Days of X-Mas" which in turn is fun for us listeners. "I was very taken with the turtle dove..." As these are only a few of the Christmas songs Belle & Sebastian covered during that session, I'm sure that I'll cover some of the others later on.
Simon explained "Frosty...": "There's a Christmas record that comes out on Capitol Records (the Cocteaus' US label) every few years. And they were trying to get all their bands to do a cover version of a Christmas song. I didn't think that's what it was at the time. I thought it would be like sitting next to Frank Sinatra. But in fact it would've been, y'know, Skinny Puppy, doing 'Merry Xmas Everybody.' Anyway they'd said, Would you do one? And Liz suggested—it must have been for a joke—'Frosty The Snowman.' Then Robin went, Yeah, good title, people will think it's a normal Cocteau Twins song with a title like that."
"Once we'd got the music down, I wrote down the lyrics on a piece of paper and said to Liz, Hey, look at these, and we were laughing away. As we were going through it I was listening to Liz's reactions and thinking, this is never gonna get done. She was going, 'He's a very happy soul'—me sing that?! No way, I could not in a million years... 'with a broomstick in his '—you've gotta be fucking kidding!'"
"I just didn't think she'd do it." [Volume 5, 1992]
...But she did, and "Frosty the Snowman," which eventually appeared on the very-limited release, Snow, with "Winter Wonderland," was a "Holiday '92" favorite, and can still be heard at Gap stores around the world at Christmas time!"
Cocteau Twins Official Website

I know I've been a bit spotty with entries lately...I've been busy, or otherwise didn't know what to write about. However that's all going to change as the Christmas season now nears and I'll have a timely theme. I personally feel that the rush of Christmas merchandise into stores immediately after Halloween is more than a bit excessive, but this week, the week of Thanksgiving, is a perfectly acceptable time to get into the mood. It snowed today- something that immediately jump started my holiday enthusiasm. I really love this time of year. I'm so ready for the winter. Lots of great Christmas music lined up for the next month or so, so check back in! It's going to be great.


This is the most frightening song I've ever heard. I'm sometimes scared to even listen to this alone during the day. But at night, wearing headphones? No way. Never. The dreams that could come out of this song....




Now here's Mudhoney's cover of the same song. Actually, this version would be more suitable for the end credits of that aforementioned movie. It's a little more cinematic, though less creepy and more...ghoulish?
The Gentle Waves...better known as Isobel Campbell...better known as the girl from Belle & Sebastian. I first heard this song in the underrated Christina Ricci film Pumpkin, also featuring Belle & Sebastian, Emiliana Torrini and Mercury Rev on its soundtrack. It's a gorgeous song, one that grabbed upon first listen, even before I had completed it entirely. What a voice...and lyrics! Not to mention the arrangement.. Wow.






